This year’s Milan Design Week placed 3D printing above. While several pieces on display incorporated 3D printing technology, the work everyone’s talking about is by avant-garde designer and 3D printing pioneer Neri Oxman.
YET is the title of Oxman’s surreal horseshoe-shaped Lexus installation, which combines 3D printed glass with architectural light patterns to create an immersive pavilion unlike anything you’ve ever seen before. It served as an opening installation to welcome and entice exhibition visitors from all over the world, and more pointedly, to set the stage for the highly anticipated Lexus Design Award 2017.
Housed within the customized space of La Triennale Di Milano, the installation effectively combines state-of-the-art 3D printing technology with “old” materials like glass. Specifically, the illuminated columns make use of MIT’s specialized technique of layering molten glass, a tricky endeavor which, when successful, perceptibly transforms the material’s optical qualities.